Monday, February 28, 2011

Salah Ragab and the Cairo Jazz Band

From www.passionate-music.com:
Drummer and multi-instrumentalist Salah Ragab was a central figure in the history of jazz in Egypt. A sometime collaborator with Sun Ra, Ragab founded the Cairo Jazz Band in 1968, the same year that he became the head of the Egyptian Military Music Department. The Cairo Jazz Band was Egypt's first big band, mixing American jazz with North African music, combining jazz instrumentation and musical style with indigenous melodies and instruments . . .more

This is a pretty amazing record, definitely has some late '60s free/pyschedelic vibe to it. More of a jazz record in a lot of ways (don't expect much oud), though of course the Arabic roots are clear. In some ways it makes me think of the Latin-jazz developments in the 50s and 60s with musicians like Dizzy Gillespie and Tito Puente.
Arabic jazz seems to be taking longer to catch on . . .

It draws frequent comparisons to the work of Sun Ra, with whom Ragab collaborated (see below). While the influence is undeniable, Ragab has an engaging voice of his own and I suspect he was a fan of Duke Ellington as well. I love these unexpected records from the past that point to a time when record companies were more daring and were obviously not being run by the accounting department.



This is another one for the Sun Ra fans:

Ahmed Abdul-Malik Sheet Music

Here are some transcriptions of the tunes from Ahmed Abdul-Malik's 1958 record Jazz Sahara. My impression is that Abdul-Malik didn't really "write" these tunes, but arranged them from themes that he had heard in traditional Arabic pieces.
The charts are "lead sheet" style, with a simple version of the melody. Ornaments and rhythmic variations are open to interpretation.

The record featured a mix of musicians from the NY middle-eastern "cabaret" scene, with Naim Karacand (violin), Jack Ghanaim (qanun), and Mike Hamway (percussion) joined by hard-hitting jazz musicians Johnny Griffin (saxophone) and Al Harewood (drum set). I've mentioned this record before, as the first recorded meeting of jazz and Arabic music, it remains a sentimental favorite despite some flaws (Although a world-class bassist, Abdul-Malik is not a, shall we say, subtle oud player, and the post-recording edits are laughably inept).





Available at Amazon (click image):

Friday, February 25, 2011

Karim Naguib - Omrak

http://www.youtube.com/watch?v=g113AyF4GmYendofvid[starttext]كريم نجيب - عمرك [endtext]

Mido Mounib - Ana Mashy ~2011~

http://www.youtube.com/watch?v=xfFK6rgE7L0endofvid[starttext]ميدو منيب - أنا ماشي[endtext]

Majida el Roumi - Matrahak bi Albi

Enjoy one of the best Arabic songs  Matrahak bi Albi by the Lebanese singer Majida el Roumi. Enjoy the best of Arabic music & video songs.



More songs for Majida el Roumi:

Majida El Roumi Wedding Song
Majida El Roumi Habibi (My Love) 

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Majida el Roumi - Matrahak bi Albi

Enjoy one of the best Arabic songs  Matrahak bi Albi by the Lebanese singer Majida el Roumi. Enjoy the best of Arabic music & video songs.



More songs for Majida el Roumi:

Majida El Roumi Wedding Song
Majida El Roumi Habibi (My Love) 

Save and share Matrahak bi Albi for Majida el Roumi

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Khaled - El Arbi

Cheb Khaled - El Arbi (Live Egypt 2009) Stounami.Net

Wednesday, February 23, 2011

Ahmed Ziad - Mn Tanwy An Takoun

http://www.youtube.com/watch?v=tXejdcay2yUendofvid[starttext]أحمد زياد - من تنوي أن تكون [endtext]

Tuesday, February 22, 2011

Mohamed Nour - OM EL Shaheed

http://www.youtube.com/watch?v=tctNc35G7hgendofvid[starttext]محمد نور - أم الشهيد[endtext]

Monday, February 21, 2011

Myriam Faris - Ya Alem Belhal (English subtitles) Live Performance

 Enjoy best Arabic music & video songs by Myriam Faris - Ya Alem Belhal (English subtitles) Live Performance.


More of Myriam Faris Songs: 

Khalani
Enta El Hayat
Mosh Ananeya
Betrouh
Eih Elly Byehsal
Nadini

Save and share Ya Alem Belhal for Myriam Faris

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Myriam Faris - Ya Alem Belhal (English subtitles) Live Performance

 Enjoy best Arabic music & video songs by Myriam Faris - Ya Alem Belhal (English subtitles) Live Performance.


More of Myriam Faris Songs: 

Khalani
Enta El Hayat
Mosh Ananeya
Betrouh
Eih Elly Byehsal
Nadini

Save and share Ya Alem Belhal for Myriam Faris

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Myriam Faris - Khalani

 Enjoy best Arabic music & video songs by Myriam Faris - Khalani


More of Myriam Faris Songs: 

Enta El Hayat
Mosh Ananeya
Betrouh
Eih Elly Byehsal
Nadini
Ana Wel Shou'

Save and share Khalani for Myriam Faris

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Myriam Faris - Khalani

 Enjoy best Arabic music & video songs by Myriam Faris - Khalani


More of Myriam Faris Songs: 

Enta El Hayat
Mosh Ananeya
Betrouh
Eih Elly Byehsal
Nadini
Ana Wel Shou'

Save and share Khalani for Myriam Faris

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Saturday, February 19, 2011

Shereen Kattar Khairi

Enjoy best Arabci music & video songs by Shereen - Kattar Khairi


More of Shereen Songs:

enkatably 3omr 2010
Batamenak

Save and share Kattar Khairi  for Shereen 

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Shereen Kattar Khairi

Enjoy best Arabci music & video songs by Shereen - Kattar Khairi


More of Shereen Songs:

enkatably 3omr 2010
Batamenak

Save and share Kattar Khairi  for Shereen 

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Shereen - enkatably 3omr 2010

Enjoy best Arabci music & video songs by Shereen - enkatably 3omr 2010.



More of Shereen Songs:

Batamenak
Garh Tani
Mafeish Marrah
arabic music new 

Save and share enkatably 3omr for Shereen 

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Shereen - enkatably 3omr 2010

Enjoy best Arabci music & video songs by Shereen - enkatably 3omr 2010.



More of Shereen Songs:

Batamenak
Garh Tani
Mafeish Marrah
arabic music new 

Save and share enkatably 3omr for Shereen 

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Friday, February 18, 2011

Farah - Mannak Ma'y ~New~

http://www.youtube.com/watch?v=7izwDrh7zacendofvid[starttext]فرح - منك معي[endtext]

Tuesday, February 15, 2011

Tamer Hosny Sabah L Kher Ya Masr 15-2-2011

http://www.youtube.com/watch?v=GPGDRsFl2sUendofvid[starttext] تامر حسني صباح الخير يا مصر[endtext]

Saturday, February 12, 2011

Mohamed Munir - Raise Your Voiceمحمد منير - علي صوتكAlli Sotak

Updated translation and media

The translation in the youtube video is good too, but there are some added words that I'm not sure are really in the lyrics, that is, it is a translation designed to convey to the viewer a similar meaning, but with added words to make it sound better.

Muhammed Munir is a musician and actor from Nubia, in Upper Egypt.



Mohamed Munir - Raise Your Voice

Raise your voice in song
We can still sing
And song is still so much part of our lives

Raise your voice in song, song is still possible
Raise your voice in song, song is still possible


And if one day you feel you'll break
You must stand tall
Standing just as a palm tree stretching towards the sky
Don't be defeated, don't break down
Don't be afraid
Be a dream blossoming in the desert

Raise your voice in song
We can still sing

Your song among the chorus shakes my joyous heart
Healing all my wounds
When you dance, I dance, I'm compelled to dance
Our dreams become intertwined
When you dance, I dance, I'm compelled to dance
Don't be defeated, don't break down
Don't be afraid
Be a dream blossoming in the desert

Raise your voice in song
We can still sing


محمد منير - علي صوتك

على صوتك بالغنى لسه الاغانى ممكنة, ممكنة
ولسه يامه ياما ياماه فى عمرنا
على صوتك بالغنى لسه الاغانى ممكنة, ممكنة

ولو فى يوم راح تنكسر لازم تقوم
واقف كما النخل باصص للسما للسما
ولا انهزام ولا انكسار ولا انهزام ولا انكسار
ولا خوف ولا ولا حلم نابت فى الخلا

على صوتك بالغنى لسه الاغانى ممكنة, ممكنة

غنوتك وسط الجموع تهز قلبى اللى انفرح
تداوى جرحى اللى انجرح
غنوتك وسط الجموع تهز قلبى اللى انفرح
تداوى جرحى اللى انجرح

ترقص ارقص غصب عنى ارقص
غصب عنى غصب عنى ارقص
ينشبك حلمك فى حلمى
ترقص ارقص غصب عنى غصب عنى ارقص
ولا انهزام ولا انكسار ولا انهزام ولا انكسار
ولاخوف ولا ولا حلم نابت فى الخلا

علي صوتك بالغنى لسه الاغانى ممكنة, ممكنة, ممكنة

Jalal El Hamdaoui

Amr Diab - One of Usعمرو دياب - واحد مناWahed Menena

This song was made for Hosni Mubarak, FORMER President of Egypt. Congratulations Egypt that you can finally watch this video and laugh.



Amr Diab - One of Us

He who sacrificed for his country in order to bring back the day (this could be "the one who" or "those who," i.e. generic genderless third person but we know it's about him)
And for whom the name of Egypt represented strength and victory

He whose dream is our dream
He whose joy is our joy
The Nile flows in his blood and ours

He is one of us, yes one of us

What is Egypt but trueness and people with good hearts?
Egypt is the hand building for our children the dream of tomorrow and years ahead

And he who holds her (Egypt's) name high
Is worth more to us than our own lives

He is one of us, yes one of us

عمرو دیاب - واحد مننا

اللي ضحي لأجل وطنه لأجل ما يعود النهار و اللي أسم مصر دايما كان له طاقة الإنتصار ..

اللي حلمه حلمنا .. و اللي فرحه فرحنا .. اللي نهر النيل بيجري جوه دمه و دمنا ..
يبقي واحد مننا .. أيوة واحد مننا ..

مصر إيه غير الأصالة و القلوب الطيبين
مصر إيد تبني لولادنا .. حلم بكرة و السنين

و اللي يرفع أسمها .. يبقي أغلي عندنا من حياتنا نفسها ..
يبقي واحد مننا .. أيوة واحد مننا

Thursday, February 10, 2011

أمل عرفة صباح الخير يا وطناً

Joseph Tawadros

Joseph Tawadros is a stellar young oud player. He was born in Egypt and grew up in Australia.
He has a number of recordings, but this is his first foray into Arabic jazz. The Hour of Separation, a recent release, has an all-star lineup of great jazz musicians.


Joeseph Tawadros The Hour of Separation



Joseph Tawadros, oud
John Abercrombie, guitar
John Patitucci, bass
Jack DeJohnette, drums
James Tawadros, percussion

Chaouki Smahi

Chaouki Smahi was born 1963 in Morocco and brought up in Algeria. He now lives in Switzerland. He is an accomplished oud player and violinist and percussionist. He has a few recordings, most of which involve jazz musicians.
Sadaka is my favorite of his recordings. Straightforward arrangements and recording, with the focus on oud, saxophone and percussion. Smahi plays in a fairly traditional Arabic style, but Mariano tastefully incorporates jazz ideas on the saxophone.


Charlie Mariano and Chaouki Smahi -Sadaka
Chaouki Smahi: oud, violin, vocals, darbouka
Charlie Mariano: alto saxophone

He is on another Charlie Mariano record called Nassim which is somewhat less succesful but still has some nice moments. It's definitely more of a deliberate "Arabic-Jazz" fusion, but overreaches at times.

It doesn't seem to be available in the U.S., but you might be able to find a download somewhere . . .

Tuesday, February 8, 2011

Rima Khcheich

Rima Khcheich is a talented singer from Lebanon. Here she teams up with stellar Dutch jazz saxophonist Yuri Honing and his trio in a live performance. Highly recommended: their Arabic version of Bjork's "Isobel" is alone worth the price of the cd. They perform versions of several classic Arabic songs ("Emta Hata'araf", "La Enta Habibi", "Ma Dam Tihib Betenkour lieh") which are re-arranged to include compelling jazz improvisations.





Yuri Honing - tenor saxophone
Tony Overwater - double bass
Joost Lijbaart - drums
Rima Khcheich- vocals
Basem Havar - djose
Latif Al-Obaidy - ud, darbuka, riqq

Anouar Brahem Sheet Music

Here are some transcriptions I have made of Anouar Brahem's music. Brahem is well-known as one of the foremost Arabic jazz oud players and composers. His work (especially his more recent recordings) tend to be meditative in tone, but he can still surprise with fiery intensity on occasion.

Note: These transcriptions are my own work, which I am providing for educational purposes only. If anyone objects to their inclusion, please notify me and they will be removed immediately.


Halfouine, from Astrakan Café (also appears on Le Voyage De Sahar).


Lecon du Oud, from The Silences of the Palace.

Qurb, from Thimar. Note that there are some rhythmic anomalies on the recording, this is my best guess as to Brahem's intent. This was originally performed with the outstanding jazz musicians Dave Holland (bass) and John Surman (bass clarinet, soprano saxophone).



Parfum de Gitane, from Astrakan Café (also appears on Barzakh).

Rabih Abou-Khalil, part 2

A couple of other nice recordings by Abou-Khalil:



Yara (1998):
very nice recording with strings.
Originally came about as music for a film of the same title.

Dominique Pifarely (violin), Vincent Courtois (cello), Nabil Khaiat (percussion)





Journey to the Centre of an Egg (2005):
One of Abou-Khalil's most modern-sounding records. Joachim Kühn's piano playing is inventive and dynamic, and challenges Abou-Khalil to stray a little farther from Arabic sounds into jazz territory.

Joachim Kühn (piano, alto saxophone), Jarrod Cagwin (drums, percussion),
Wolfgang Reisinger (additional percussion)

Anouar Brahem, part 2


Astrakan Café - 2000

Anouar Brahem : oud
Barbaros Erköse : clarinet
Lassad Hosni : bendir, darbouka


Le Pas du Chat Noir - 2002

A very subdued album that rewards repeated listening. Brahem's oud playing does not dominate, but blends with the piano and accordion, with echoes of Bill Evans, Philip Glass, Schubert and Chopin.

Anouar Brahem : oud
François Couturier : piano
Jean Louis Matinier : accordion




Voyage du Sahar - 2006

Very similar album to Le Pas du Chat Noir

Anouar Brahem : oud
François Couturier : piano
Jean Louis Matinier : accordion


The Astounding Eyes Of Rita - 2009
Brahem returns here to a more energetic style, with playing and compositions reminiscent of Astrakan Café and Thimar.

Anouar Brahem : oud
Klaus Gesing : bass clarinet
Björn Meyer : bass
Khaled Yassine : darbouka, bendir




Madar - 1994
This is Garbarek's record, and it contains some compelling music. However, Garbarek has an unusual and strident tone of the saxophone, which is not everyone's cup of tea.

Jan Garbarek : tenor and soprano saxophones
Anouar Brahem : oud
Ustad Shaukat Hussain : tabla




There are also some bootlegs of Anouar Brahem concerts floating around teh internets. I don't want to link to them directly, but the concerts are:

Live In Salvator Kirche Church at Duisburg, Germany
Live at Teatro Sociale, Bellinzona, Switzerland, 1998 (with John Surman and Dave Holland)
Zürich International Jazz Festival 1993 (with Jan Garbarek and Shaukat Hussain)

Issa Hassan

Issa Hassan is a Kurdish musician who primarily plays buzuq. He has lived in Lebanon and currently lives in Paris. He has a couple of albums with jazz influences:




Issa Hassan, buzuq and composition
Elie Maalouf, piano and composition
Adel Shams-el-Din, percussion
with Haroun Teboul, Emek Evci.

Tareq Abboushi

Abboushi has been playing the buzuq starting at the National Conservatory of Music in Ramallah, Palestine, and continuing in New York City. He also is an accomplished jazz pianist, having studied at William Paterson University. His band Shusmo has a self-titled release that is well worth getting, with a great mix of original tunes and improvisations. Clarinetist Lefteris Bournias is a fiery complement to the more introspective musings of Abboushi's buzuq.



Tareq Abboushi - Buzuq, percussion, composition
Lefteris Bournias - Clarinet
Héctor Morales - Congas, Cajón
Zafer Tawil - Riq, Durbakkeh, Cymbals
Dave Phillips- Bass

Amir ElSaffar

Iraqi-American trumpeter, santour player, vocalist, and composer Amir ElSaffar grew up in River Forest, IL, a suburb west of Chicago; he was first exposed to jazz recordings by his father, and his mother taught him to sing and play American folk songs on ukulele and guitar when he was nine. He eventually found his calling with the trumpet
After moving to New York in 2000, he became more involved with studying the Arab and specifically Iraqi maqam. In 2002, ElSaffar immersed himself in the music of his father's ancestral past, the Iraqi maqam. He traveled to Iraq, throughout the Middle East and to Europe pursuing masters who could impart to him this centuries-old oral tradition. He learned to play the santour (Iraqi hammered dulcimer) and to sing, and now leads Safaafir, the only ensemble in the US performing Iraqi Maqam in its traditional format. He has also uses techniques for the trumpet that enable microtones and ornaments that are characteristic to Arabic music but are not typically heard on a trumpet.

The record Two Rivers is ElSaffar's clearest mixing of jazz and Arabic music.



Amir ElSaffar: trumpet, voice, santoor
Rudresh Mahanthappa: alto sax
Zafer Tawil: violin, oud, dumbek
Tareq Abboushi: buzuq, frame drums
Carlo Rosa: bass
Nasheet Waits: drums.

Simon Shaheen

A Palestinian, born in the village of Tarshiha in the Galilee, Shaheen's childhood was steeped in music. His father, Hikmat Shaheen, was a professor of music and a master 'oud player. Simon began playing the oud at the age of five and the violin shortly thereafter.

Most of Shaheen's recorded output is on the more traditional side. His jazziest disc, Blue Flame is somewhat reminiscent of the music of John McLaughlin or Paco DeLucia. Shaheen regularly makes extensive use of microtonal maqamat such as Rast, Sikah and Bayati.


All of his recordings are very highly recommended.

Shameless plug: I'm playing guitar on this one in Ramallah!






Anouar Brahem

All of Brahem's available releases are on ECM. He has a simpler, more contemplative style than most oud players, and has on occasion shown his more traditional side. He rarely plays microtonal maqamat.

Selected discography:

Barzakh - 1991

With spare instumentation, much of the album is quite understated, though not without flights of virtuosity.

Anouar Brahem : oud
Béchir Selmi : violin
Lassad Hosni : percussion






Conte de l'incroyable amour - 1992
One of Brahem's more traditional-sounding records, there is a lot of nice playing here by everyone, though the compositions do not stand out as Brahem's best.

Anouar Brahem : oud
Barbaros Erköse : clarinet
Kudsi Erguner : nai
Lassad Hosni : bendir,darbouka




Khomsa - 1995

Featuring a larger ensemble and more jazz-influenced writing, Khomsa was rated 4 stars by Downbeat


Anouar Brahem : oud
Richard Gálliano : accordion
François Couturier : piano, synthesizer
Jean Marc Larché : soprano saxophone
Béchir Selmi : violin
Palle Danielsson : double-bass
Jon Christensen : drums



Thimar - 1998

This is one of my favorite albums. Haunting sounds, excellent compositions and beautiful playing by all. 4 stars from DownBeat.


Anouar Brahem : oud
John Surman : bass clarinet and soprano saxophone
Dave Holland : double-bass

Rabih Abou-Khalil

Lebanese oud player, one of the first to work extensively with jazz musicians. A prolific composer, Abou-Khalil is known for his rhythmically intricate compositions that (unlike traditional Arabic music) frequently change meter in a free-flowing way, often several times within a phrase or section. He does not use any of the microtonal maqamat (modes, sing. maqam in his music. He generally performs with Western musicians, most of whom have jazz backgrounds. He occasionally works with Eastern musicians, such as on Roots & Sprouts and Tarab.

Selected discography:


Bukra (1988): with Sonny Fortune (alto sax), Glen Moore (bass), Glen Velez & Ramesh Shotham (percussion)



Roots & Sprouts (1990): Fairly traditional middle-eastern instrumentation:
Selim Kusur (nay), Yassin El-Achek (violin), Glen Moore (bass), Glen Velez (frame drums), Mohammad Al-Sous (darabukka)



Tarab (1992):
Selim Kusur (nay), Glen Moore (bass), Nabil Khaiat & Ramesh Shotham (percussion)



Blue Camel (1992): One of Abou-Khalil's jazziest records.
Charlie Mariano (alto sax), Kenny Wheeler (flugelhorn), Steve Swallow (bass)
Milton Cardona, Nabil Khaiat & Ramesh Shotham (percussion)



Ahmed Abdul Malik

Jazz Sahara (1958)

Ahmed Abdul-Malik (oud, bass); Jack Ghanaim (qanun); Naim Karacand (violin); Johnny Griffin (tenor saxophone); Al Harewood (drums), Mike Hamway, percussion


East Meets West (1958)

Ahmed Abdul-Malik (bass, oud); Lee Morgan (trumpet), Curtis Fuller (trombone), Benny Golson and Johnny Griffin (tenor saxophones); Ahmed Yetman (qanun); Naim Karacand (violin); Bilal Abdurrahman, Mike Hamway (Darabeka, daf).

The earliest attempt at jazz fusion with middle eastern music. Basically they play some dawalib (sing., doulab: short instrumental piece often used as an introduction) and improvise. Abdul Malik was a well-known jazz bass player of Sudanese descent, best known for his work with Thelonious Monk and John Coltrane. Both albums feature his Monk bandmate Johnny Griffin on saxophone along with various middle-eastern nightclub musicians and jazz musicians such as Benny Golson, and Lee Morgan.
Jazz Sahara is a strong album, while East Meets West is a little uneven (though with some excellent performances). In the liner notes to Jazz Sahara, Abdul-Malik pointedly avoids referring to the music as "Arabic", and suggest "Mid-Eastern" is more accurate because of the varied traditions involved. The oud playing is somewhat rudimentary, but the overall effect is compelling.

Welcome to the Arabic Jazz blog!

Ahlan wa sahlan!

Welcome to my blog. I've created this blog to share information and news about music that mixes elements of jazz and Arabic music. I'll also share scores and transcriptions etc. for musicians.

Thursday, February 3, 2011

Hussein El Jasmi - Feqatek

Enjoy  Hussein El Jasmi ij his song Feqatek. Best Arabic music and video songs.


More Arabic Songs: 

Ma Yeswa - Hussein al Jasmi
Husien El Jasmi New 2010 * ayam-fe-7ayaty *
Hussien El Jasmi - 6 El Sob7  

Save and share Feqatek for Hussein El Jasmi 

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Hussein El Jasmi - Feqatek

Enjoy  Hussein El Jasmi ij his song Feqatek. Best Arabic music and video songs.


More Arabic Songs: 

Ma Yeswa - Hussein al Jasmi
Husien El Jasmi New 2010 * ayam-fe-7ayaty *
Hussien El Jasmi - 6 El Sob7  

Save and share Feqatek for Hussein El Jasmi 

Want to share this song with your family and friends? Click the button below to send them an email or save this to your favorite social network.