From www.passionate-music.com:
Drummer and multi-instrumentalist Salah Ragab was a central figure in the history of jazz in Egypt. A sometime collaborator with Sun Ra, Ragab founded the Cairo Jazz Band in 1968, the same year that he became the head of the Egyptian Military Music Department. The Cairo Jazz Band was Egypt's first big band, mixing American jazz with North African music, combining jazz instrumentation and musical style with indigenous melodies and instruments . . .more
This is a pretty amazing record, definitely has some late '60s free/pyschedelic vibe to it. More of a jazz record in a lot of ways (don't expect much oud), though of course the Arabic roots are clear. In some ways it makes me think of the Latin-jazz developments in the 50s and 60s with musicians like Dizzy Gillespie and Tito Puente.
Arabic jazz seems to be taking longer to catch on . . .
It draws frequent comparisons to the work of Sun Ra, with whom Ragab collaborated (see below). While the influence is undeniable, Ragab has an engaging voice of his own and I suspect he was a fan of Duke Ellington as well. I love these unexpected records from the past that point to a time when record companies were more daring and were obviously not being run by the accounting department.
This is another one for the Sun Ra fans:
Monday, February 28, 2011
Ahmed Abdul-Malik Sheet Music
Here are some transcriptions of the tunes from Ahmed Abdul-Malik's 1958 record Jazz Sahara. My impression is that Abdul-Malik didn't really "write" these tunes, but arranged them from themes that he had heard in traditional Arabic pieces.
The charts are "lead sheet" style, with a simple version of the melody. Ornaments and rhythmic variations are open to interpretation.
The record featured a mix of musicians from the NY middle-eastern "cabaret" scene, with Naim Karacand (violin), Jack Ghanaim (qanun), and Mike Hamway (percussion) joined by hard-hitting jazz musicians Johnny Griffin (saxophone) and Al Harewood (drum set). I've mentioned this record before, as the first recorded meeting of jazz and Arabic music, it remains a sentimental favorite despite some flaws (Although a world-class bassist, Abdul-Malik is not a, shall we say, subtle oud player, and the post-recording edits are laughably inept).
Available at Amazon (click image):
The charts are "lead sheet" style, with a simple version of the melody. Ornaments and rhythmic variations are open to interpretation.
The record featured a mix of musicians from the NY middle-eastern "cabaret" scene, with Naim Karacand (violin), Jack Ghanaim (qanun), and Mike Hamway (percussion) joined by hard-hitting jazz musicians Johnny Griffin (saxophone) and Al Harewood (drum set). I've mentioned this record before, as the first recorded meeting of jazz and Arabic music, it remains a sentimental favorite despite some flaws (Although a world-class bassist, Abdul-Malik is not a, shall we say, subtle oud player, and the post-recording edits are laughably inept).
Available at Amazon (click image):
Friday, February 25, 2011
Karim Naguib - Omrak
http://www.youtube.com/watch?v=g113AyF4GmYendofvid[starttext]كريم نجيب - عمرك [endtext]
Mido Mounib - Ana Mashy ~2011~
http://www.youtube.com/watch?v=xfFK6rgE7L0endofvid[starttext]ميدو منيب - أنا ماشي[endtext]
Majida el Roumi - Matrahak bi Albi
Enjoy one of the best Arabic songs Matrahak bi Albi by the Lebanese singer Majida el Roumi. Enjoy the best of Arabic music & video songs.
More songs for Majida el Roumi:
Majida El Roumi Wedding Song
Majida El Roumi Habibi (My Love)
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More songs for Majida el Roumi:
Majida El Roumi Wedding Song
Majida El Roumi Habibi (My Love)
Save and share Matrahak bi Albi for Majida el Roumi
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Majida el Roumi - Matrahak bi Albi
Enjoy one of the best Arabic songs Matrahak bi Albi by the Lebanese singer Majida el Roumi. Enjoy the best of Arabic music & video songs.
More songs for Majida el Roumi:
Majida El Roumi Wedding Song
Majida El Roumi Habibi (My Love)
Save and share Matrahak bi Albi for Majida el Roumi
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More songs for Majida el Roumi:
Majida El Roumi Wedding Song
Majida El Roumi Habibi (My Love)
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Wednesday, February 23, 2011
Ahmed Ziad - Mn Tanwy An Takoun
http://www.youtube.com/watch?v=tXejdcay2yUendofvid[starttext]أحمد زياد - من تنوي أن تكون [endtext]
Tuesday, February 22, 2011
Mohamed Nour - OM EL Shaheed
http://www.youtube.com/watch?v=tctNc35G7hgendofvid[starttext]محمد نور - أم الشهيد[endtext]
Monday, February 21, 2011
Myriam Faris - Ya Alem Belhal (English subtitles) Live Performance
Enjoy best Arabic music & video songs by Myriam Faris - Ya Alem Belhal (English subtitles) Live Performance.
More of Myriam Faris Songs:
Khalani
Enta El Hayat
Mosh Ananeya
Betrouh
Eih Elly Byehsal
Nadini
Save and share Ya Alem Belhal for Myriam Faris
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More of Myriam Faris Songs:
Khalani
Enta El Hayat
Mosh Ananeya
Betrouh
Eih Elly Byehsal
Nadini
Save and share Ya Alem Belhal for Myriam Faris
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Myriam Faris - Ya Alem Belhal (English subtitles) Live Performance
Enjoy best Arabic music & video songs by Myriam Faris - Ya Alem Belhal (English subtitles) Live Performance.
More of Myriam Faris Songs:
Khalani
Enta El Hayat
Mosh Ananeya
Betrouh
Eih Elly Byehsal
Nadini
Save and share Ya Alem Belhal for Myriam Faris
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More of Myriam Faris Songs:
Khalani
Enta El Hayat
Mosh Ananeya
Betrouh
Eih Elly Byehsal
Nadini
Save and share Ya Alem Belhal for Myriam Faris
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Myriam Faris - Khalani
Enjoy best Arabic music & video songs by Myriam Faris - Khalani
More of Myriam Faris Songs:
Enta El Hayat
Mosh Ananeya
Betrouh
Eih Elly Byehsal
Nadini
Ana Wel Shou'
Save and share Khalani for Myriam Faris
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More of Myriam Faris Songs:
Enta El Hayat
Mosh Ananeya
Betrouh
Eih Elly Byehsal
Nadini
Ana Wel Shou'
Save and share Khalani for Myriam Faris
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Myriam Faris - Khalani
Enjoy best Arabic music & video songs by Myriam Faris - Khalani
More of Myriam Faris Songs:
Enta El Hayat
Mosh Ananeya
Betrouh
Eih Elly Byehsal
Nadini
Ana Wel Shou'
Save and share Khalani for Myriam Faris
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More of Myriam Faris Songs:
Enta El Hayat
Mosh Ananeya
Betrouh
Eih Elly Byehsal
Nadini
Ana Wel Shou'
Save and share Khalani for Myriam Faris
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Saturday, February 19, 2011
Shereen Kattar Khairi
Enjoy best Arabci music & video songs by Shereen - Kattar Khairi
More of Shereen Songs:
enkatably 3omr 2010
Batamenak
Save and share Kattar Khairi for Shereen
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enkatably 3omr 2010
Batamenak
Save and share Kattar Khairi for Shereen
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Shereen Kattar Khairi
Enjoy best Arabci music & video songs by Shereen - Kattar Khairi
More of Shereen Songs:
enkatably 3omr 2010
Batamenak
Save and share Kattar Khairi for Shereen
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enkatably 3omr 2010
Batamenak
Save and share Kattar Khairi for Shereen
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Shereen - enkatably 3omr 2010
Enjoy best Arabci music & video songs by Shereen - enkatably 3omr 2010.
More of Shereen Songs:
Batamenak
Garh Tani
Mafeish Marrah
arabic music new
Save and share enkatably 3omr for Shereen
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More of Shereen Songs:
Batamenak
Garh Tani
Mafeish Marrah
arabic music new
Save and share enkatably 3omr for Shereen
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Shereen - enkatably 3omr 2010
Enjoy best Arabci music & video songs by Shereen - enkatably 3omr 2010.
More of Shereen Songs:
Batamenak
Garh Tani
Mafeish Marrah
arabic music new
Save and share enkatably 3omr for Shereen
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More of Shereen Songs:
Batamenak
Garh Tani
Mafeish Marrah
arabic music new
Save and share enkatably 3omr for Shereen
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Friday, February 18, 2011
Farah - Mannak Ma'y ~New~
http://www.youtube.com/watch?v=7izwDrh7zacendofvid[starttext]فرح - منك معي[endtext]
Tuesday, February 15, 2011
Tamer Hosny Sabah L Kher Ya Masr 15-2-2011
http://www.youtube.com/watch?v=GPGDRsFl2sUendofvid[starttext] تامر حسني صباح الخير يا مصر[endtext]
Saturday, February 12, 2011
Mohamed Munir - Raise Your Voiceمحمد منير - علي صوتكAlli Sotak
Updated translation and media
The translation in the youtube video is good too, but there are some added words that I'm not sure are really in the lyrics, that is, it is a translation designed to convey to the viewer a similar meaning, but with added words to make it sound better.
Muhammed Munir is a musician and actor from Nubia, in Upper Egypt.
And if one day you feel you'll break
You must stand tall
Standing just as a palm tree stretching towards the sky
Don't be defeated, don't break down
Don't be afraid
Be a dream blossoming in the desert
Raise your voice in song
We can still sing
Your song among the chorus shakes my joyous heart
Healing all my wounds
When you dance, I dance, I'm compelled to dance
Our dreams become intertwined
When you dance, I dance, I'm compelled to dance
Don't be defeated, don't break down
Don't be afraid
Be a dream blossoming in the desert
Raise your voice in song
We can still sing
The translation in the youtube video is good too, but there are some added words that I'm not sure are really in the lyrics, that is, it is a translation designed to convey to the viewer a similar meaning, but with added words to make it sound better.
Muhammed Munir is a musician and actor from Nubia, in Upper Egypt.
| Mohamed Munir - Raise Your Voice Raise your voice in song We can still sing And song is still so much part of our lives Raise your voice in song, song is still possible Raise your voice in song, song is still possible |  |
And if one day you feel you'll break
You must stand tall
Standing just as a palm tree stretching towards the sky
Don't be defeated, don't break down
Don't be afraid
Be a dream blossoming in the desert
Raise your voice in song
We can still sing
Your song among the chorus shakes my joyous heart
Healing all my wounds
When you dance, I dance, I'm compelled to dance
Our dreams become intertwined
When you dance, I dance, I'm compelled to dance
Don't be defeated, don't break down
Don't be afraid
Be a dream blossoming in the desert
Raise your voice in song
We can still sing
محمد منير - علي صوتك
على صوتك بالغنى لسه الاغانى ممكنة, ممكنة
ولسه يامه ياما ياماه فى عمرنا
على صوتك بالغنى لسه الاغانى ممكنة, ممكنة
ولو فى يوم راح تنكسر لازم تقوم
واقف كما النخل باصص للسما للسما
ولا انهزام ولا انكسار ولا انهزام ولا انكسار
ولا خوف ولا ولا حلم نابت فى الخلا
على صوتك بالغنى لسه الاغانى ممكنة, ممكنة
غنوتك وسط الجموع تهز قلبى اللى انفرح
تداوى جرحى اللى انجرح
غنوتك وسط الجموع تهز قلبى اللى انفرح
تداوى جرحى اللى انجرح
ترقص ارقص غصب عنى ارقص
غصب عنى غصب عنى ارقص
ينشبك حلمك فى حلمى
ترقص ارقص غصب عنى غصب عنى ارقص
ولا انهزام ولا انكسار ولا انهزام ولا انكسار
ولاخوف ولا ولا حلم نابت فى الخلا
علي صوتك بالغنى لسه الاغانى ممكنة, ممكنة, ممكنة
Amr Diab - One of Usعمرو دياب - واحد مناWahed Menena
This song was made for Hosni Mubarak, FORMER President of Egypt. Congratulations Egypt that you can finally watch this video and laugh.
Amr Diab - One of Us
He who sacrificed for his country in order to bring back the day (this could be "the one who" or "those who," i.e. generic genderless third person but we know it's about him)
And for whom the name of Egypt represented strength and victory
He whose dream is our dream
He whose joy is our joy
The Nile flows in his blood and ours
He is one of us, yes one of us
What is Egypt but trueness and people with good hearts?
Egypt is the hand building for our children the dream of tomorrow and years ahead
And he who holds her (Egypt's) name high
Is worth more to us than our own lives
He is one of us, yes one of us
Amr Diab - One of Us
He who sacrificed for his country in order to bring back the day (this could be "the one who" or "those who," i.e. generic genderless third person but we know it's about him)
And for whom the name of Egypt represented strength and victory
He whose dream is our dream
He whose joy is our joy
The Nile flows in his blood and ours
He is one of us, yes one of us
What is Egypt but trueness and people with good hearts?
Egypt is the hand building for our children the dream of tomorrow and years ahead
And he who holds her (Egypt's) name high
Is worth more to us than our own lives
He is one of us, yes one of us
عمرو دیاب - واحد مننا
اللي ضحي لأجل وطنه لأجل ما يعود النهار و اللي أسم مصر دايما كان له طاقة الإنتصار ..
اللي حلمه حلمنا .. و اللي فرحه فرحنا .. اللي نهر النيل بيجري جوه دمه و دمنا ..
يبقي واحد مننا .. أيوة واحد مننا ..
مصر إيه غير الأصالة و القلوب الطيبين
مصر إيد تبني لولادنا .. حلم بكرة و السنين
و اللي يرفع أسمها .. يبقي أغلي عندنا من حياتنا نفسها ..
يبقي واحد مننا .. أيوة واحد مننا
اللي ضحي لأجل وطنه لأجل ما يعود النهار و اللي أسم مصر دايما كان له طاقة الإنتصار ..
اللي حلمه حلمنا .. و اللي فرحه فرحنا .. اللي نهر النيل بيجري جوه دمه و دمنا ..
يبقي واحد مننا .. أيوة واحد مننا ..
مصر إيه غير الأصالة و القلوب الطيبين
مصر إيد تبني لولادنا .. حلم بكرة و السنين
و اللي يرفع أسمها .. يبقي أغلي عندنا من حياتنا نفسها ..
يبقي واحد مننا .. أيوة واحد مننا
Thursday, February 10, 2011
Joseph Tawadros
Joseph Tawadros is a stellar young oud player. He was born in Egypt and grew up in Australia.
He has a number of recordings, but this is his first foray into Arabic jazz. The Hour of Separation, a recent release, has an all-star lineup of great jazz musicians.
He has a number of recordings, but this is his first foray into Arabic jazz. The Hour of Separation, a recent release, has an all-star lineup of great jazz musicians.
  | Joseph Tawadros, oud John Abercrombie, guitar John Patitucci, bass Jack DeJohnette, drums James Tawadros, percussion |
Chaouki Smahi
Chaouki Smahi was born 1963 in Morocco and brought up in Algeria. He now lives in Switzerland. He is an accomplished oud player and violinist and percussionist. He has a few recordings, most of which involve jazz musicians.
Sadaka is my favorite of his recordings. Straightforward arrangements and recording, with the focus on oud, saxophone and percussion. Smahi plays in a fairly traditional Arabic style, but Mariano tastefully incorporates jazz ideas on the saxophone.
  | Chaouki Smahi: oud, violin, vocals, darbouka Charlie Mariano: alto saxophone |
He is on another Charlie Mariano record called Nassim which is somewhat less succesful but still has some nice moments. It's definitely more of a deliberate "Arabic-Jazz" fusion, but overreaches at times.
It doesn't seem to be available in the U.S., but you might be able to find a download somewhere . . .
Tuesday, February 8, 2011
Rima Khcheich
Rima Khcheich is a talented singer from Lebanon. Here she teams up with stellar Dutch jazz saxophonist Yuri Honing and his trio in a live performance. Highly recommended: their Arabic version of Bjork's "Isobel" is alone worth the price of the cd. They perform versions of several classic Arabic songs ("Emta Hata'araf", "La Enta Habibi", "Ma Dam Tihib Betenkour lieh") which are re-arranged to include compelling jazz improvisations.
  | Yuri Honing - tenor saxophone Tony Overwater - double bass Joost Lijbaart - drums Rima Khcheich- vocals Basem Havar - djose Latif Al-Obaidy - ud, darbuka, riqq |
Anouar Brahem Sheet Music
Here are some transcriptions I have made of Anouar Brahem's music. Brahem is well-known as one of the foremost Arabic jazz oud players and composers. His work (especially his more recent recordings) tend to be meditative in tone, but he can still surprise with fiery intensity on occasion.
Note: These transcriptions are my own work, which I am providing for educational purposes only. If anyone objects to their inclusion, please notify me and they will be removed immediately.
Halfouine, from Astrakan Café
(also appears on Le Voyage De Sahar
).
Lecon du Oud, from The Silences of the Palace.
Qurb, from Thimar
Parfum de Gitane, from Astrakan Café
(also appears on Barzakh
).
Rabih Abou-Khalil, part 2
A couple of other nice recordings by Abou-Khalil:
Yara (1998):
very nice recording with strings.
Originally came about as music for a film of the same title.
Dominique Pifarely (violin), Vincent Courtois (cello), Nabil Khaiat (percussion)
Journey to the Centre of an Egg (2005):
One of Abou-Khalil's most modern-sounding records. Joachim Kühn's piano playing is inventive and dynamic, and challenges Abou-Khalil to stray a little farther from Arabic sounds into jazz territory.
Joachim Kühn (piano, alto saxophone), Jarrod Cagwin (drums, percussion),
Wolfgang Reisinger (additional percussion)
Yara (1998):
very nice recording with strings.
Originally came about as music for a film of the same title.
Dominique Pifarely (violin), Vincent Courtois (cello), Nabil Khaiat (percussion)
Journey to the Centre of an Egg (2005):
One of Abou-Khalil's most modern-sounding records. Joachim Kühn's piano playing is inventive and dynamic, and challenges Abou-Khalil to stray a little farther from Arabic sounds into jazz territory.
Joachim Kühn (piano, alto saxophone), Jarrod Cagwin (drums, percussion),
Wolfgang Reisinger (additional percussion)
Anouar Brahem, part 2
  | Astrakan Café - 2000 Anouar Brahem : oud Barbaros Erköse : clarinet Lassad Hosni : bendir, darbouka |
  | Le Pas du Chat Noir - 2002 A very subdued album that rewards repeated listening. Brahem's oud playing does not dominate, but blends with the piano and accordion, with echoes of Bill Evans, Philip Glass, Schubert and Chopin. Anouar Brahem : oud François Couturier : piano Jean Louis Matinier : accordion |
  | Voyage du Sahar - 2006 Very similar album to Le Pas du Chat Noir Anouar Brahem : oud François Couturier : piano Jean Louis Matinier : accordion |
  | The Astounding Eyes Of Rita - 2009 Brahem returns here to a more energetic style, with playing and compositions reminiscent of Astrakan Café and Thimar. Anouar Brahem : oud Klaus Gesing : bass clarinet Björn Meyer : bass Khaled Yassine : darbouka, bendir |
  | Madar - 1994 This is Garbarek's record, and it contains some compelling music. However, Garbarek has an unusual and strident tone of the saxophone, which is not everyone's cup of tea. Jan Garbarek : tenor and soprano saxophones Anouar Brahem : oud Ustad Shaukat Hussain : tabla |
There are also some bootlegs of Anouar Brahem concerts floating around teh internets. I don't want to link to them directly, but the concerts are:
Live In Salvator Kirche Church at Duisburg, Germany
Live at Teatro Sociale, Bellinzona, Switzerland, 1998 (with John Surman and Dave Holland)
Zürich International Jazz Festival 1993 (with Jan Garbarek and Shaukat Hussain)
Issa Hassan
Issa Hassan is a Kurdish musician who primarily plays buzuq. He has lived in Lebanon and currently lives in Paris. He has a couple of albums with jazz influences:
Issa Hassan, buzuq and composition
Elie Maalouf, piano and composition
Adel Shams-el-Din, percussion
with Haroun Teboul, Emek Evci.
Issa Hassan, buzuq and composition
Elie Maalouf, piano and composition
Adel Shams-el-Din, percussion
with Haroun Teboul, Emek Evci.
Tareq Abboushi
Abboushi has been playing the buzuq starting at the National Conservatory of Music in Ramallah, Palestine, and continuing in New York City. He also is an accomplished jazz pianist, having studied at William Paterson University. His band Shusmo has a self-titled release that is well worth getting, with a great mix of original tunes and improvisations. Clarinetist Lefteris Bournias is a fiery complement to the more introspective musings of Abboushi's buzuq.
Tareq Abboushi - Buzuq, percussion, composition Lefteris Bournias - Clarinet Héctor Morales - Congas, Cajón Zafer Tawil - Riq, Durbakkeh, Cymbals Dave Phillips- Bass |
Amir ElSaffar
Iraqi-American trumpeter, santour player, vocalist, and composer Amir ElSaffar grew up in River Forest, IL, a suburb west of Chicago; he was first exposed to jazz recordings by his father, and his mother taught him to sing and play American folk songs on ukulele and guitar when he was nine. He eventually found his calling with the trumpet
After moving to New York in 2000, he became more involved with studying the Arab and specifically Iraqi maqam. In 2002, ElSaffar immersed himself in the music of his father's ancestral past, the Iraqi maqam. He traveled to Iraq, throughout the Middle East and to Europe pursuing masters who could impart to him this centuries-old oral tradition. He learned to play the santour (Iraqi hammered dulcimer) and to sing, and now leads Safaafir, the only ensemble in the US performing Iraqi Maqam in its traditional format. He has also uses techniques for the trumpet that enable microtones and ornaments that are characteristic to Arabic music but are not typically heard on a trumpet.
The record Two Rivers is ElSaffar's clearest mixing of jazz and Arabic music.
After moving to New York in 2000, he became more involved with studying the Arab and specifically Iraqi maqam. In 2002, ElSaffar immersed himself in the music of his father's ancestral past, the Iraqi maqam. He traveled to Iraq, throughout the Middle East and to Europe pursuing masters who could impart to him this centuries-old oral tradition. He learned to play the santour (Iraqi hammered dulcimer) and to sing, and now leads Safaafir, the only ensemble in the US performing Iraqi Maqam in its traditional format. He has also uses techniques for the trumpet that enable microtones and ornaments that are characteristic to Arabic music but are not typically heard on a trumpet.
The record Two Rivers is ElSaffar's clearest mixing of jazz and Arabic music.
Amir ElSaffar: trumpet, voice, santoor Rudresh Mahanthappa: alto sax Zafer Tawil: violin, oud, dumbek Tareq Abboushi: buzuq, frame drums Carlo Rosa: bass Nasheet Waits: drums. |
Simon Shaheen
A Palestinian, born in the village of Tarshiha in the Galilee, Shaheen's childhood was steeped in music. His father, Hikmat Shaheen, was a professor of music and a master 'oud player. Simon began playing the oud at the age of five and the violin shortly thereafter.
Most of Shaheen's recorded output is on the more traditional side. His jazziest disc, Blue Flame is somewhat reminiscent of the music of John McLaughlin or Paco DeLucia. Shaheen regularly makes extensive use of microtonal maqamat such as Rast, Sikah and Bayati.
All of his recordings are very highly recommended.
Shameless plug: I'm playing guitar on this one in Ramallah!
Most of Shaheen's recorded output is on the more traditional side. His jazziest disc, Blue Flame is somewhat reminiscent of the music of John McLaughlin or Paco DeLucia. Shaheen regularly makes extensive use of microtonal maqamat such as Rast, Sikah and Bayati.
All of his recordings are very highly recommended.
Shameless plug: I'm playing guitar on this one in Ramallah!
Anouar Brahem
All of Brahem's available releases are on ECM. He has a simpler, more contemplative style than most oud players, and has on occasion shown his more traditional side. He rarely plays microtonal maqamat.
Selected discography:
Selected discography:
  | Barzakh - 1991 With spare instumentation, much of the album is quite understated, though not without flights of virtuosity. Anouar Brahem : oud Béchir Selmi : violin Lassad Hosni : percussion |
  | Conte de l'incroyable amour - 1992 One of Brahem's more traditional-sounding records, there is a lot of nice playing here by everyone, though the compositions do not stand out as Brahem's best. Anouar Brahem : oud Barbaros Erköse : clarinet Kudsi Erguner : nai Lassad Hosni : bendir,darbouka |
  | Khomsa - 1995 Featuring a larger ensemble and more jazz-influenced writing, Khomsa was rated 4 stars by Downbeat Anouar Brahem : oud Richard Gálliano : accordion François Couturier : piano, synthesizer Jean Marc Larché : soprano saxophone Béchir Selmi : violin Palle Danielsson : double-bass Jon Christensen : drums |
  | Thimar - 1998 This is one of my favorite albums. Haunting sounds, excellent compositions and beautiful playing by all. 4 stars from DownBeat. Anouar Brahem : oud John Surman : bass clarinet and soprano saxophone Dave Holland : double-bass |
Rabih Abou-Khalil
Lebanese oud player, one of the first to work extensively with jazz musicians. A prolific composer, Abou-Khalil is known for his rhythmically intricate compositions that (unlike traditional Arabic music) frequently change meter in a free-flowing way, often several times within a phrase or section. He does not use any of the microtonal maqamat (modes, sing. maqam in his music. He generally performs with Western musicians, most of whom have jazz backgrounds. He occasionally works with Eastern musicians, such as on Roots & Sprouts and Tarab.
Selected discography:
Bukra (1988): with Sonny Fortune (alto sax), Glen Moore (bass), Glen Velez & Ramesh Shotham (percussion)
Roots & Sprouts (1990): Fairly traditional middle-eastern instrumentation:
Selim Kusur (nay), Yassin El-Achek (violin), Glen Moore (bass), Glen Velez (frame drums), Mohammad Al-Sous (darabukka)
Tarab (1992):
Selim Kusur (nay), Glen Moore (bass), Nabil Khaiat & Ramesh Shotham (percussion)
Blue Camel (1992): One of Abou-Khalil's jazziest records.
Charlie Mariano (alto sax), Kenny Wheeler (flugelhorn), Steve Swallow (bass)
Milton Cardona, Nabil Khaiat & Ramesh Shotham (percussion)
Selected discography:
Bukra (1988): with Sonny Fortune (alto sax), Glen Moore (bass), Glen Velez & Ramesh Shotham (percussion)
Roots & Sprouts (1990): Fairly traditional middle-eastern instrumentation:
Selim Kusur (nay), Yassin El-Achek (violin), Glen Moore (bass), Glen Velez (frame drums), Mohammad Al-Sous (darabukka)
Tarab (1992):
Selim Kusur (nay), Glen Moore (bass), Nabil Khaiat & Ramesh Shotham (percussion)
Blue Camel (1992): One of Abou-Khalil's jazziest records.
Charlie Mariano (alto sax), Kenny Wheeler (flugelhorn), Steve Swallow (bass)
Milton Cardona, Nabil Khaiat & Ramesh Shotham (percussion)
Ahmed Abdul Malik
| Jazz Sahara (1958) Ahmed Abdul-Malik (oud, bass); Jack Ghanaim (qanun); Naim Karacand (violin); Johnny Griffin (tenor saxophone); Al Harewood (drums), Mike Hamway, percussion |
| | East Meets West (1958) Ahmed Abdul-Malik (bass, oud); Lee Morgan (trumpet), Curtis Fuller (trombone), Benny Golson and Johnny Griffin (tenor saxophones); Ahmed Yetman (qanun); Naim Karacand (violin); Bilal Abdurrahman, Mike Hamway (Darabeka, daf). |
Jazz Sahara is a strong album, while East Meets West is a little uneven (though with some excellent performances). In the liner notes to Jazz Sahara, Abdul-Malik pointedly avoids referring to the music as "Arabic", and suggest "Mid-Eastern" is more accurate because of the varied traditions involved. The oud playing is somewhat rudimentary, but the overall effect is compelling.
Welcome to the Arabic Jazz blog!
Ahlan wa sahlan!
Welcome to my blog. I've created this blog to share information and news about music that mixes elements of jazz and Arabic music. I'll also share scores and transcriptions etc. for musicians.
Welcome to my blog. I've created this blog to share information and news about music that mixes elements of jazz and Arabic music. I'll also share scores and transcriptions etc. for musicians.
Thursday, February 3, 2011
Hussein El Jasmi - Feqatek
Enjoy Hussein El Jasmi ij his song Feqatek. Best Arabic music and video songs.
More Arabic Songs:
Ma Yeswa - Hussein al Jasmi
Husien El Jasmi New 2010 * ayam-fe-7ayaty *
Hussien El Jasmi - 6 El Sob7
Save and share Feqatek for Hussein El Jasmi
Want to share this song with your family and friends? Click the button below to send them an email or save this to your favorite social network.
Ma Yeswa - Hussein al Jasmi
Husien El Jasmi New 2010 * ayam-fe-7ayaty *
Hussien El Jasmi - 6 El Sob7
Save and share Feqatek for Hussein El Jasmi
Want to share this song with your family and friends? Click the button below to send them an email or save this to your favorite social network.
Hussein El Jasmi - Feqatek
Enjoy Hussein El Jasmi ij his song Feqatek. Best Arabic music and video songs.
More Arabic Songs:
Ma Yeswa - Hussein al Jasmi
Husien El Jasmi New 2010 * ayam-fe-7ayaty *
Hussien El Jasmi - 6 El Sob7
Save and share Feqatek for Hussein El Jasmi
Want to share this song with your family and friends? Click the button below to send them an email or save this to your favorite social network.
Ma Yeswa - Hussein al Jasmi
Husien El Jasmi New 2010 * ayam-fe-7ayaty *
Hussien El Jasmi - 6 El Sob7
Save and share Feqatek for Hussein El Jasmi
Want to share this song with your family and friends? Click the button below to send them an email or save this to your favorite social network.