A very subdued album that rewards repeated listening. Brahem's oud playing does not dominate, but blends with the piano and accordion, with echoes of Bill Evans, Philip Glass, Schubert and Chopin.
Anouar Brahem : oud François Couturier : piano Jean Louis Matinier : accordion
Voyage du Sahar - 2006
Very similar album to Le Pas du Chat Noir
Anouar Brahem : oud François Couturier : piano Jean Louis Matinier : accordion
The Astounding Eyes Of Rita - 2009 Brahem returns here to a more energetic style, with playing and compositions reminiscent of Astrakan Café and Thimar.
Anouar Brahem : oud Klaus Gesing : bass clarinet Björn Meyer : bass Khaled Yassine : darbouka, bendir
Madar - 1994 This is Garbarek's record, and it contains some compelling music. However, Garbarek has an unusual and strident tone of the saxophone, which is not everyone's cup of tea.
Jan Garbarek : tenor and soprano saxophones Anouar Brahem : oud Ustad Shaukat Hussain : tabla
There are also some bootlegs of Anouar Brahem concerts floating around teh internets. I don't want to link to them directly, but the concerts are:
Live In Salvator Kirche Church at Duisburg, Germany Live at Teatro Sociale, Bellinzona, Switzerland, 1998 (with John Surman and Dave Holland) Zürich International Jazz Festival 1993 (with Jan Garbarek and Shaukat Hussain)
All of Brahem's available releases are on ECM. He has a simpler, more contemplative style than most oud players, and has on occasion shown his more traditional side. He rarely plays microtonal maqamat.
Selected discography:
Barzakh - 1991
With spare instumentation, much of the album is quite understated, though not without flights of virtuosity.
Conte de l'incroyable amour - 1992 One of Brahem's more traditional-sounding records, there is a lot of nice playing here by everyone, though the compositions do not stand out as Brahem's best.
Hakim was born in Maghagha, a small town in Al Minya, Egypt. Hakim grew up with the sound of working-class tradition of Sha'bi; the root of southern Egyptian. He became influenced by the great Sha'bi singerAhmed Adaweyah and began practicing Mawals, the vocal improvisations which begin a traditional Sha'bi song.[2] At fourteen years old he formed a band and started performing at local parties and school functions with the accompaniment of a tabla, duff, and an accordion, playing covers of classic Sha'bi hits by Ahmed Adaweya, Mohamed El Ezabi, and Abdel Ghani Al Sayed. Soon the band was a hit and expanded by adding keyboards and drums and performing all over the Minya province.His father, the mayor of Maghagha, wished that he would get a higher degree, and although Hakim loved singing, and wanted it to be his career, he bowed to his father’s wishes and attended the Al-Azhar University in Cairo, graduating in 1983 with a degree in communications. But while in the capital, he kept up his musical interests, meeting new people at the cafes on Mohammed Ali Street, including the accordionist Ibrahim El Fayoumi, who became like a god father to him.Source WIKIPEDIA